Excerpt from “The Image of Culture”

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Nobody does “culture” better than Richard M. Weaver . . .

No one has been able to define exactly how a culture integrates and homologizes the ideas and actions of many men over a long period of time any more than how the consciousness gives a thematic continuity to the life of an individual. As far as one can tell, the collective consciousness of the group creates a mode of looking at the world or arrives at some imaginative visual bearing. It “sees” the world metaphorically according to some felt need of the group, and this entails an ordering which denotes dissatisfaction with “things as they are.” Of course cultures do respond to differences in what nature has provided, such as the sea, or a kind of terrain, or a hot or cold climate, these having the power to initiate imaginative reactions. But man meets the given part way, and then proceeds with something of his own. So cultures reflect different regions and varying kinds of historical endowment. But the decisive thing is the work of the spirit, which always operates positively by transfiguring and excluding. It is of the essence of culture to feel its own imperative and to believe in the uniqueness of its worth. In doing so, it has to reject others which are “objectively” just as good, yet for it irrelevant. Syncretistic cultures like syncretistic religions have always proved relatively powerless to create and to influence; there is no weight of authentic history behind them. The very concept of eclectic religion and eclectic culture derives from an inappropriate analogy which suggests that a plurality can be greater than one. Culture derives its very desire to continue from its unitariness. Perhaps some deep force which explains our liking for figures of repetition is here involved; we feel confirmed through seeing things repeated in the same way, and departures from the form are viewed as laxity or ignorance.

Evidently this is the reason that every culture in the course of its formation sets up directions from which the members are constrained not to depart. Penalties for violation may be no more than cultural, although sometimes they have been moral and legal. The truth is that if the culture is to assume form and to bring the satisfactions for which cultures are created, it is not culturally feasible for everyone to do everything “any way he wants to.” There is at the heart of every culture a center of authority from which there proceed subtle and pervasive pressures upon us to conform and to repel the unlike as disruptive. So culture too is faced with the metaphysical problem of freedom and organization, which rules out the possibility of uncircumscribed liberty. Like all forces which shape and direct, it must insist on a pattern of inclusion and exclusion. This is a necessity of integral being and a fundamental fact to deal with in any plan for its protection.

At this center there lies a “tyrannizing image,” which draws everything toward itself. This image is the ideal of its excellence. The forms that it can take and the particular manifestations that it can find are various. In some instances it has been a religious ritual; in others a sacred scripture; in others a literature which everyone is expected to know ; codes of conduct (and even of warfare) may be the highest embodied form. But examine them as we will, we find this inward facing toward some high representation. This is the sacred well of the culture from which inspiring waters like magnetic lines of force flow out and hold the various activities in a subservience of acknowledgment. Not to feel this magnetic pull toward identification and assimilation is to be outside the culture.

Such centripetalism is the essence of culture’s power to cohere and to endure. There is a center which commands all things, and this center is open to imaginative but not logical discovery. It is a focus of value, alaw of relationships, an inspiriting vision. By its very nature it sets up rankings and orders; to be near it is to be higher; to be far from it in the sense of not feeling its attraction is to be lower. Culture is thus by nature aristocratic, for it is a means of discriminating between what counts for much and what counts for little; this no doubt explains the necessity man feels to create it. It is his protest against the uniformity and dead level of simple succession. He will establish a center of value and see to it that the group is oriented toward it. This is his rejection of any merely naturalistic ordering of his life, his declaration of independence from mere environment. Discrimination, selection, and preference with regard to the tyrannizing image are its constitutives.

For this reason it is the very nature of culture to be exclusive. Without the power to reject that which does not understand or acknowledge its center of force, it would disintegrate. We might say that a culture continues by attracting and attracts by continuing. In this way it maintains its identity.

November 20th 2016 |

Comment (1)

  • Dr. Tallmon says...

    Attention: K. Fields!

    Posted on Monday, November 21st 2016 at 12:56 pm

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